sound

tyco

about

Tyler Connaghan is a producer, composer, and mix engineer based in Los Angeles. As the owner of Tyco Sound and a core member of Killingsworth Recording Company, he’s built a full-service production house trusted by global clients, from Apple and Netflix to ESPN, WWE, and NBC.
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Specializing in music for sync, Tyler blends cinematic sound design with pop sensibility, creating tracks that move effortlessly from the screen to the stream. His work spans everything from scoring national commercials to producing artists in all genres and helping to mold sonic identities for multimedia projects.
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When he’s not in the studio, you might catch him on stage in the award-winning off-Broadway show DRAG: The Musical or hanging with his dog Louie.
production

portfolio

Grayscale "Idiom" Campaign
When Grayscale Investments set out to launch their Idiom campaign, a trio of commercials exploring different creative concepts, they brought me on to handle every aspect of the sound. Working directly with their Creative Director, I composed three original pieces, each living in its own sonic world but connected by a shared musical motif. You can hear that throughline in the first half of every track, which subtly ties the campaign together while giving each spot its own identity.
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Beyond the composition, I handled all sound design and final mixes, shaping each piece so it felt polished, cinematic, and cohesive across the series. The end result was a collection of ads that not only looked beautiful but sounded intentionally unified.
"Taurasi" - Amazon Prime
One of my favorite sync moments came through Concord Music Publishing, which represents my project Vinyl Motel. They landed a placement for my track “Dangerous” in Amazon Prime’s Taurasi documentary.
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“Dangerous” comes from an unreleased EP I created while signed to Safari Riot.
Apple – Internal Apple Watch Commercial
Apple’s music supervision team reached out to have me create an underscore for an internal Apple Watch commercial that felt modern, funky, and forward-moving. They wanted energy without clutter, personality without getting in the way of the visuals.
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This was the result.​
"All Hallows' Eve" – The Boulet Brothers - Kelly Clarkson
For the Boulet Brothers’ All Hallows’ Eve project, I produced the title track, a playful, high-energy ’60s surf-rock meets mod anthem built to feel like it could have come straight off a vintage Halloween special.
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The track became the EP's lead single and reached a much wider audience when it was performed live on The Kelly Clarkson Show. Seeing the song reimagined on national TV, and watching it land with an audience far outside the horror and drag world, was one of those rare full-circle moments that make production work feel electric.